appearance | apperance | arrangement |
aspect | command | dictate |
Dosage Form | formed | forming |
forms | guise | image |
look | manner | manner |
mode | order | picture |
shape | shape | sight |
way |
+1 | 1. shape; image; framework, mold; format; document with blank spaces to be filled in; fitness; mood; type; grade, class (British); custom, social standards; order; format; area of a hypertext document that includes options for receiving user input (Computers, Internet) |
2.anagram from | |
3. shape, fashion, create; design; constitute; arrange; take shape; be created, be shaped | |
4. musical design; incorporating repetition and contrast, unity, and variety | |
5. In the philosophy of Plato and Aristotle the active, determining principle of a thing. The term was traditionally used to translate Plato's eidos, by which he meant the permanent reality that makes a thing what it is, in contrast to the particulars that are finite and subject to change. Each form is the pattern of a particular category of thing in the world; thus, there are forms of human, stone, shape, colour, beauty and justice.Whereas the physical world, perceived with the senses, is in constant flux and knowledge derived from it restricted and variable, the realm of forms, apprehensible only by the mind, is eternal and changeless. Particular things derive what reality they have by 'participating' in, or imperfectly copying, the forms. Aristotle rejected the abstract Platonic notion of form and argued that every sensible object consists of both matter and form, neither of which can exist without the other. For Aristotle, the matter of a thing consists of those of its elements which, when the thing has come into being, may be said to have 'become' it; the form of a thing is the arrangement or organization through which such elements have become the thing in question. Thus a certain lump of bronze is the matter that, given a certain form, becomes a statue or, given another, becomes a sword. The Aristotelian concept of form was adapted and developed by St. Thomas Aquinas and other scholastic philosophers. The Enlightenment philosopher Immanuel Kant used the notion of form to describe the mentally imposed conditions of sensible experience, namely space and time. | |
6. the external shape, appearance or configuration of an object, in contradistinction to the matter of which it is composed; in metaphysics, the active, determining principle of a thing as distinguished from matter, the potential principle. The word form has been used in a number of ways throughout the history of philosophy and aesthetics. It was early applied to Plato's term eidos, by which he identified the permanent reality that makes a thing what it is, in contrast to the particulars that are finite and subject to change. The Platonic concept of form was itself derived from the Pythagorean theory that intelligible structures (which Pythagoras called numbers) and not material elements, gave objects their distinctive characters. Plato developed this theory into the concept of eternal form, by which he meant the immutable essence that can only be received or imitated by material or sensible, things. Plato held that eternal forms, though they were not tangible, were of a higher reality than material objects. For practical purposes Aristotle was the first to distinguish between matter (hypokeimenon or hyle) and form (eidos or morphe). He rejected the abstract Platonic notion of form and argued that every sensible object consists of both matter and form, neither of which can exist without the other. To Aristotle matter was the undifferentiated primal element; it is that from which things develop rather than a thing in itself. The development of particular things from this germinal matter consists in differentiation, the acquiring of the particular forms of which the knowable universe consists. Matter is the potential factor, form the actualizing factor (Aristotle further posited the existence of a prime or unmoved, mover, i.e., pure form separate from matter, eternal and immutable.) Thus according to Aristotle, the matter of a thing will consist of those elements of it which, when the thing has come into being, may be said to have become it and the form is the arrangement or organization of those elements, as the result of which they have become the thing which they have. Thus, bricks and mortar are the matter that, given one form, become a house, or, given another, become a wall. As matter they are potentially anything that they can become; it is the form which determines what they actually become. Here matter is a relative term, for a brick on the pile, while potentially part of a house, is already actually a brick; i.e., it is itself a composite of form and matter, clay being matter to the brick as the brick is to the house or to the wall. Matter is that which is potentially a given object but which actually becomes that object only when it is given the right form. Aristotle's notion of form combines with his teleological viewpoint to give the conclusion that formal development has a direction and may have a goal and that some things are more informed than others. Bricks are more informed than clay and a house more than bricks. The Aristotelian concept of form was uniquely adapted to Christianity by Thomas Aquinas, whose works mark the high point of the medieval Scholastic tradition. Aquinas further delineated the concept of form to include accidental form, a quality of a thing that is not determined by its essence; sensible form, that element of form that can be distinguished from matter by sense-perception and other such distinctions. Other Scholastic philosophers, including John Duns Scotus and William of Ockham, worked with the Aristotelian concept of form, but none to as great an effect as Aquinas. For 18th-century German philosopher Immanuel Kant, form was a property of mind; he held that form is derived from experience, or, in other words, that it is imposed by the individual on the material object. In his Critique of Pure Reason Kant identified space and time as the two forms of sensibility, reasoning that though man does not experience space and time as such, he cannot experience anything except in space and time. Kant further delimited 12 basic categories that act as structural elements for human understanding. | |
7.S E A T (n) (dated) a long thin seat, usually without a back formal (adj) using an agreed way of doing things; well planned and organized There are formal procedures for making complaints. We have recently adopted more formal methods of assessment. Formal language is not used in relaxed or friendly conversation; it is suitable for serious or official occasions and writing. The letter of appointment was in very formal language. ' Reprimand' is a more formal word than 'tell off' although both mean 'to criticize someone for something they have done'. A formal meeting/occasion/meal is one at which particular types of behaviour and/or types of clothes (= formal dress) are expected and used. If someone has a formal manner or acts in a formal way they are (too) serious and careful in what they say or do. A formal offer/refusal/statement or formal notice is a way of clearly explaining or making public all the necessary details, often in writing. We made a formal offer for (= to buy) the house. They gave formal notice that they were changing the parking arrangements. Someone who has had no formal education has not been to school or been taught in the usual way. A formal garden is carefully designed and kept according to a plan, and it is not allowed to grow naturally. Formal can mean in appearance or by name only. I am the formal leader of the project but the everyday management is in the hands of my assistant. The visitors took only a formal interest in the classroom activities. | |
8. A dosage form is the physical form in which a drug is produced and dispensed, such as a tablet, a capsule, or an injectable. |
Bahasa_Inggeris | Portugis | |
---|---|---|
1. | form | formar |
2. | form | formulбrio |
3. | form | modelar |
4. | form (kata benda) | formulário(kata nama maskulin) |
5. | form (kata benda) Sinonim: image, picture, shape, apperance | figura(kata nama atau nomina perempuan) |
6. | form (kata benda) Sinonim: look, sight, aspect, appearance | aspecto(kata nama maskulin) |
7. | form (kata benda) Sinonim: manner, way, mode, guise | maneira(kata nama atau nomina perempuan) |
8. | form (kata benda) Sinonim: order, dictate, command, arrangement | ordem(kata nama atau nomina perempuan) |
9. | form (kata benda) Sinonim: shape, manner, mode, way | forma(kata nama atau nomina perempuan) |
Bahasa_Inggeris | Portugis | |
---|---|---|
1. | application form(kata benda) | ficha de inscrição (kata nama atau nomina perempuan) |
2. | application form(kata benda) | requerimento (kata nama maskulin) |
3. | art form(kata benda) | modalidade artística (kata nama atau nomina perempuan) |
4. | beneficiary designation form(kata benda) | formulário de designação de (kata nama maskulin) |
5. | claim form(kata benda) | formulário de requerimento (kata nama maskulin) |
6. | to form(kata kerja)Sinonim: to constitute, to represent, to make, to appoint | constituir (kata kerja) |
7. | to form(kata kerja)Sinonim: to educate, to constitute, to shape, to pattern | formar (kata kerja) |
8. | to form(kata kerja)Sinonim: to model, to shape, to mold, to frame | modelar (kata kerja) |
9. | to form a group(kata kerja) | agrupar-se (kata kerja) |
10. | to form a partnership(kata kerja)Sinonim: to associate, to relate, to assort | associar (kata kerja) |
11. | ideal form(kata benda) | forma ideal (kata nama atau nomina perempuan) |
12. | in good form(kata sifat)Sinonim: well | bem disposto (kata sifat) |
13. | in the form of rays(kata keterangan)Sinonim: radially | radialmente (kata keterangan) |
14. | to re-form(kata kerja)Sinonim: to reshape | reformar (kata kerja) |
15. | significant form theory(kata benda) | teoria da forma significante (kata nama atau nomina perempuan) |